备注:已完结
类型:恐怖片
主演:Robert Davi Robert Z'Dar C
导演:William Lustig Joel Soisson
语言:英语
年代:未知
简介:A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way.
备注:已完结
类型:动作片
主演:Sean Patrick Flanery Costas Mandylo
语言:英语
年代:未知
简介:故事发生在新奥尔良,这里是犯罪者们的天堂。西恩(强尼·斯特朗 Johnny Strong 饰)是一名嫉恶如仇经验丰富的警探,他的儿子在一场意外之中不幸死去,妻子亦因此而选择了离开,几乎是在霎时间,西恩失去了重要的一切。西恩将所有的仇恨都算在的犯罪分子们的头上,在工作中,他的作风更加暴力武断,对对手毫不留情,因此屡屡遭到投诉,濒临被停职的边缘。 近日里,西恩的辖区内频频发生性质十分恶劣的暴力事件,凶手手段极为残忍,就连毒枭韦德(马索·曼恩 Method Man 饰)的弟弟也深受其害不幸死去,而这一切的罪魁祸首是和韦德对立的帮派首领雷蒙德(科斯塔斯·曼迪勒 Costas Mandylor 饰)。
备注:已完结
类型:剧情片
主演:Anna Neagle Anton Walbrook C. Aubre
语言:英语
年代:未知
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor